Deconstruction



 Science > Philosophy > Deconstruction

LINK TO THIS PAGE  


rating :  0   |  0


  Page 1 of 1

1

 
Topic: Science > Philosophy
User: "Roger Johansson"
Date: 18 Sep 2005 10:32:29 AM
Object: Deconstruction
Deconstruction, the unveiling of hidden meanings.
We live in a culture which contains a lot of lies, secrets,
misunderstandings, symbolism, talk between the lines. The reasons for
this are historical. The creationist culture has steered our lives and
our minds for thousands of years. These traditions are based on
religion, secrets, taboos, lies, misunderstandings, symbolism,
intellectual complexity, double-speak.
In this kind of culture it is meaningful and fruitful to explore all
possible meanings in a text, in a speech, in a created event. Some
meanings are useful, some are less important and useful. Judgement
based on knowledge is needed to be able to find and value hidden
meanings.
Academic writers have hidden behind a complicated language, that's why
it is so difficult to understand much of what has been written about
deconstruction. Their feverish minds are wandering in a very
constructed world of ideas. They have a community of people who can
juggle many complicated ideas and express them in a language which is
penetrable only to the initiated. The people who write unreadable
articles about deconstruction are themselves in great need of some
deconstruction for their own brains and their own language. So they can
learn to speak and think in a simple, concrete and clear language.
The primary hidden meaning is often the most important meaning to the
sender. When a writer wants to hide the real meaning he "constructs" a
veil, a smokescreen, and our task as readers, scientists, philosophers,
is to "de-construct" the text, to find the most important meaning for
the sender, and for us.
An idea or an argument is equally valid no matter if the sender
understood it or not, we have a responsibility to gather the most
useful ideas and arguments and judge their validity and importance for
mankind.
An example of deconstruction:
Somebody has been angry at his friends, and avoided them for a long
time.
When he sees them on town he looks angry and disturbed.
One day he walks into the local cafe, sits down among them, and says:
"Nice flowers."
If we try to understand the message we need to understand the
situation, what kind of message fits in this story?
Where is the message, to begin with? In the two words he said? Or in
the fact that he says something at all?
The message of the event is what is important. What meaning is the
sender trying to bring to the receiver(s)?
What message did the receiver hear? What did the sender achieve?
Deconstruction is to go beyond the literal meaning of a sentence, to
find out what really happened, what the real message was.
It can also discover new meanings, which neither the sender nor the
receiver intended.
An example of the academic explanation:
..=2E.......
The difficulty in defining deconstruction
The term deconstruction in the context of Western philosophy is highly
resistant to formal definition. Martin Heidegger was perhaps the first
to use the term (in contrast to Nietzschean demolition), although the
form we recognize in English is an element in a series of translations
(from Heidegger's Abbau and Destruktion to Jacques Derrida's
d=E9construction), and it has been explored by others, including Gayatri
Chakravorty Spivak, Paul de Man, Jonathan Culler, Barbara Johnson, J.
Hillis Miller, Jean-Fran=E7ois Lyotard, and Geoffrey Bennington. These
authors, however, have actively resisted calls to define the word
succinctly. When asked what deconstruction is, Derrida once stated, "I
have no simple and formalizable response to this question. All my
essays are attempts to have it out with this formidable question."
(Derrida 1985, at 4.) There is a great deal of confusion as to what
kind of thing deconstruction is - whether it is a school of thought
(it is certainly not so in the singular), a method of reading (it has
often been reduced to this by various attempts to define it formally),
or, as some call it, a "textual event" (a characterization implied by
the Derrida quote just given) - and determining what authority to
accord to a particular attempt at delimiting it.
There are hundreds, if not thousands, of pages devoted to attempts to
define deconstruction or demonstrate why various attempts at
delimitation are misconceived. Most of these attempts (including those
signed by critics who are considered deconstructionist) are difficult
reading and resistant to summary.
..=2E.......
--=20
Roger J.
.

User: "mimus"

Title: Re: Deconstruction 18 Sep 2005 10:55:14 AM
On 18 Sep 2005 08:32:29 -0700, Roger Johansson wrote:

Deconstruction, the unveiling of hidden meanings.

We live in a culture which contains a lot of lies, secrets,
misunderstandings, symbolism, talk between the lines.

Gosh.

The reasons for this are historical.

The reasons for this are human.

The creationist culture has steered our lives and
our minds for thousands of years. These traditions are based on
religion, secrets, taboos, lies, misunderstandings, symbolism,
intellectual complexity, double-speak.

Conspiracy theory by your third or maybe second sentence? Is that some
kind of record for supposedly serious philosophy?

In this kind of culture it is meaningful and fruitful to explore all
possible meanings in a text, in a speech, in a created event. Some
meanings are useful, some are less important and useful. Judgement
based on knowledge is needed to be able to find and value hidden
meanings.

I notice you don't bother mentioning the meaning intended by the writer,
speaker or creator.

Which is of course the major point of text and speech and creation, and of
competent and honest analysis as well.
Rather than using a text, a speech or a created event as a point of
departure for the usual morass of posturing, digressions, paradox-
mongering and anything and everything but relevance that characterizes
structuralist- deconstructionist "criticism".
Very similarly, I might add, to Freudian "analysis", that other great fraud
of the Twentieth Century.
And, BTW, for competent and honest criticism, there's the question of how
well the writer, speaker or creator expressed his or her intended meaning,
but that of course as a critical problem is far beyond the likes of, and
indeed an object of contempt to, such "criticism" and "critics" as is and
are discussed here.
--
I AM JUST WEST OF THE MANURE PILE
< First known military "wireless" communication
.
User: "Richard P Church"

Title: Re: Deconstruction 30 Sep 2005 03:17:27 AM
"mimus" <tinmimus99@hotmail.com> wrote in message
news:15m42t6ixb7lq$.n642n510ad4q.dlg@40tude.net...

On 18 Sep 2005 08:32:29 -0700, Roger Johansson wrote:

In this kind of culture it is meaningful and fruitful to explore all
possible meanings in a text, in a speech, in a created event. Some
meanings are useful, some are less important and useful. Judgement
based on knowledge is needed to be able to find and value hidden
meanings.


I notice you don't bother mentioning the meaning intended by the writer,
speaker or creator.

Which is of course the major point of text and speech and creation, and of
competent and honest analysis as well.

Rather than using a text, a speech or a created event as a point of
departure for the usual morass of posturing, digressions, paradox-
mongering and anything and everything but relevance that characterizes
structuralist- deconstructionist "criticism".

Very similarly, I might add, to Freudian "analysis", that other great
fraud
of the Twentieth Century.

Apparently Derrida was influenced in his thinking by Freud... a case of one
fraud inspiring another?.
"When critics pointed out that, based on deconstruction's own tenets a
deconstructive analysis itself must be just as false, contradictory,
manipulative, unjust, and 'tyrannical' as any other text, deconstructionists
found it difficult to respond effectively."
-- source: Wikipedia, the free encyclopedia.
RC
.
User: "Wordsmith"

Title: Re: Deconstruction 30 Sep 2005 01:23:40 PM
Deconstruction deconstructs itself.
W : )
.
User: "perdurabo"

Title: Re: Deconstruction 02 Oct 2005 01:08:19 PM
No the 'text' deconstructs itself.
"Wordsmith" <wordsmith@rocketmail.com> wrote in message
news:1128104620.909538.75590@g43g2000cwa.googlegroups.com...

Deconstruction deconstructs itself.


W : )

.
User: "Wordsmith"

Title: Re: Deconstruction 02 Oct 2005 01:44:40 PM
I see. Can there ever be a 'text' that can't self-deconstruct?
W : )
.
User: "perdurabo"

Title: Re: Deconstruction 02 Oct 2005 04:55:20 PM
As a point of order it is 'deconstruct' not 'self-deconstruct'. The simple
answer to your question is 'no'. According to this theory, all texts will
deconstruct upon analysis. This approach sees philosophy as a type of close
reading, akin to literary criticism. Texts are submitted to a variety of
techniques such as 'supplementary', 'the hinge', 'differance', 'the trace',
'aporia' and 'parergon'. Eventually the text will be persuaded to
deconstruct. It is easy to say that these methods are artificial and that
deconstruction is a dangerous sophistry. I must say that I tend towards a
sceptical position.
"Wordsmith" <wordsmith@rocketmail.com> wrote in message
news:1128278680.475695.148560@g47g2000cwa.googlegroups.com...

I see. Can there ever be a 'text' that can't self-deconstruct?


W : )

.




User: "Roger Johansson"

Title: Re: Deconstruction 30 Sep 2005 12:19:34 PM
Richard P Church wrote:

"When critics pointed out that, based on deconstruction's own tenets a
deconstructive analysis itself must be just as false, contradictory,
manipulative, unjust, and 'tyrannical' as any other text, deconstructionists
found it difficult to respond effectively."
-- source: Wikipedia, the free encyclopedia.

The academic debate is very confused, because they use so
fancy words that they hardly know what they re talking about.
But it is very simple, actually.
We have all seen programs about detective and forensic work on tv.
These programs show how to find out what has happened, what people
have said, what evidence is strong, weak or useless.
When detectives hear some criminal say something, maybe on the phone,
they need to find out what the message means.
In that process they use all the techniques which you need when
analyzing literature or songs.
We can use Elvis as an example.
His main message was in the way he moved his body, and how
he was as a person.
Secondary meanings can be found in the song-texts
but those messages come from song writers.
These songs have multiple meanings, one superficial, if
you take the text literally, one hidden meaning you can
only understand if you have social experience of the
hidden social system.
There may also be messages the songwriters did not intend,
but we can see, and such meanings can be useful too.
--
Roger J.
.
User: "perdurabo"

Title: Re: Deconstruction 02 Oct 2005 06:57:43 PM
This sounds like analysis of texts to uncover the many 'signifiers' and
'signified' contained in them. 'Signifiers' are any meaningful unit of the
'text'. the 'signified' is the concept, idea or thing expressed by the
signifiers. The 'connotation' is the overall meaning of the signifiers in a
given text. The 'myth' is the meaning on the level of the culture. If this
is what you mean then this is not necessarily 'deconstruction'.
If a text is submitted to a deconstructive analysis then the relationship
between the 'signifiers' and the 'signified' is no longer stable. The 'signs'
that convey meaning become polysemic. All interpretations of the text become
possible. In this context 'deconstruction' does not mean to 'disassemble' or
to 'strip away' in order to get at the underlying meaning
We have different 'channels' through which 'messages' are passed. There is
always a 'source' and always a 'target'. Several messages may be transmitted
to the same target through different channels. The messages are always
'encoded' by the source by way of common conventions. Any target that
receives the message, and can understand the code, can translate the
message. A deconstructive analysis threatens this process of transmission of
messages, by undermining the very philosophies upon which it is based.
If a deconstructive analysis is used, we are unable to specify an underling
meaning. The meaning is neither 'fixed' by the author nor by the culture.
Instead, the reader fixes the meaning of the text. In other words all
interpretations of a given text are valid. There is no single unique meaning
that we may read into a text. Neither is our reading permanent, the next
time we read the text it may have another meaning.
A text that performs a deconstruction or advocates this approach may, of
course, be deconstructed. The deconstructive reading, is just one of the
many possible interpretations, that may be made of this text. Or so
exponents of deconstruction will no doubt argue. This is a self fulfilling
theory of interpretation but no more so than any other similar theory.
Jonathon Culler argued persuasively that if you looked for reasons to
interpret a text from a given point of view you will always find them. A
Freudian point will always see reasons to comprehend a text from a Freudian
perspective. A Structuralist will always be able to find evidence for
structuralism. However you understand the term 'deconstruction' is no
different from another paradigm. Either you like it or you don't.
"Roger Johansson" <roger4911@gmail.com> wrote in message
news:1128100774.823408.179750@o13g2000cwo.googlegroups.com...


Richard P Church wrote:

"When critics pointed out that, based on deconstruction's own tenets a
deconstructive analysis itself must be just as false, contradictory,
manipulative, unjust, and 'tyrannical' as any other text,
deconstructionists
found it difficult to respond effectively."
-- source: Wikipedia, the free encyclopedia.


The academic debate is very confused, because they use so
fancy words that they hardly know what they re talking about.

But it is very simple, actually.

We have all seen programs about detective and forensic work on tv.
These programs show how to find out what has happened, what people
have said, what evidence is strong, weak or useless.

When detectives hear some criminal say something, maybe on the phone,
they need to find out what the message means.

In that process they use all the techniques which you need when
analyzing literature or songs.

We can use Elvis as an example.

His main message was in the way he moved his body, and how
he was as a person.

Secondary meanings can be found in the song-texts
but those messages come from song writers.

These songs have multiple meanings, one superficial, if
you take the text literally, one hidden meaning you can
only understand if you have social experience of the
hidden social system.

There may also be messages the songwriters did not intend,
but we can see, and such meanings can be useful too.


--
Roger J.

.



User: "perdurabo"

Title: Re: Deconstruction 20 Sep 2005 03:59:45 AM
"mimus" <tinmimus99@hotmail.com> wrote in message
news:15m42t6ixb7lq$.n642n510ad4q.dlg@40tude.net...

On 18 Sep 2005 08:32:29 -0700, Roger Johansson wrote:

In this kind of culture it is meaningful and fruitful to explore all
possible meanings in a text, in a speech, in a created event. Some
meanings are useful, some are less important and useful. Judgement
based on knowledge is needed to be able to find and value hidden
meanings.


I notice you don't bother mentioning the meaning intended by the writer,
speaker or creator.

Which is of course the major point of text and speech and creation, and of
competent and honest analysis as well.

Perhaps I have misunderstood. Doesn't the 'intentional fallacy' suggest that
the meaning of the text is not wholly what the writer indented? I thought
that deconstruction simply went a step further to place the emphasis wholy
on the reader. As I understood it goes something like this:
Humanism: The author is paramount and the meaning of the text is the same
for every reader.
Structuralism: The culture is paramount and the text suggests many meanings
to one reader. The student of literature examines the forces that act upon
the author.
Deconstruction: The reader is paramount and all interpretations of the text
are valid, including that which is intended by the author. I suppose that
the student would highlight the forces that act upon the reader.
I am sure that all of this is simplistic to the point of distortion. Whilst
deconstruction does not ignore the intensions of the author, it regards the
reader to be the sole agent of meaning.
.
User: "Roger Johansson"

Title: Re: Deconstruction 20 Sep 2005 06:42:12 AM
perdurabo wrote:

"mimus" wrote:

Roger Johansson wrote:

In this kind of culture it is meaningful and fruitful to explore all
possible meanings in a text, in a speech, in a created event. Some
meanings are useful, some are less important and useful. Judgement
based on knowledge is needed to be able to find and value hidden
meanings.

I notice you don't bother mentioning the meaning intended by the writer,
speaker or creator.

Which is of course the major point of text and speech and creation, and of
competent and honest analysis as well.

It depends on what the purpose of the research is.
If the main purpose is to explore the thinking of a certain person it
is of course important to try to find out what he meant.
If the purpose is to find the best political ideas in the world it
doesn't matter at all who thought or said something, only the idea is
important.

Perhaps I have misunderstood. Doesn't the 'intentional fallacy' suggest that
the meaning of the text is not wholly what the writer indented? I thought
that deconstruction simply went a step further to place the emphasis wholy
on the reader. As I understood it goes something like this:

I think you are overcomplicating this. What we are talking about are
descriptions of intellectual tools for critical thinking.
You can learn similar tools from watching the programs on tv about
forensics and police work. I think the producers of those programs have
an ambition to educate the american people, teach them to think in a
scientific and critical manner.
The average american lacks education in scientific and critical
thinking, and these programs about police work is the closest average
joe will ever come to science and critical thinking. He learns to
analyze what people say, learns to search for hidden meanings, learns
to weigh different views and scenarios against each other, learns to
judge the value of different pieces of evidence, learns to use
scientific methods and rational thinking.
(These programs are also full of standard american creationist ideals,
like manly attitudes, doublespeak, the whole package for the
chronically wondering, drama and lots of violence.)

Humanism: The author is paramount and the meaning of the text is the same
for every reader.

Humanism is not a tool for analyzing messages.
Humanism was a reaction against the religious views which ruled Europe
during medieval times. Humanism based its views on the common human and
his needs, not on the religious created people and their needs.

Structuralism: The culture is paramount and the text suggests many meanings
to one reader. The student of literature examines the forces that act upon
the author.

It is not possible to give exact definitions of analyzing tools like
structuralism, because any definition would be a limitation on the
researcher and his possibility to find out how it works.
If you wrote "the complete manual of police and forensic work" and
followed it literally all the time you would not be a good detective,
because you need to think for yourself all the time. You cannot think
freely by following an exact recipe.
Specific methods mentioned are just suggestions for all the ways you
can think about a problem.
Any list of such methods must be incomplete, because you can always add
a few more ways to think.
Piaget's book about structuralism is just talking about how things can
be connected into a structure. To understand some things, like a knot
in a net, you need to see its place in the larger structure.

Deconstruction: The reader is paramount and all interpretations of the text
are valid, including that which is intended by the author. I suppose that
the student would highlight the forces that act upon the reader.

Again, you are assuming details about what deconstruction is which are
not necessary. Deconstraction is simply to be aware of the fact that
meanings often are hidden or disguised. An awareness of how convoluted
reality can be, and a talent for imagining different ways to analyze a
message or an event, even when the meaning is hidden, intentionally or
not.

I am sure that all of this is simplistic to the point of distortion.

The whole critical theory bunch express themselves in an academic fancy
words fashion, which seems to be intended to hide what they are talking
about.
Or they have so pseudo-intellectually twisted minds so they cannot
express themselves in a simple and clear language.
We have to see this in a practical way to understand why academic
writers express themselves in overcomplicated language.
When people get paid to work at a university they think they must speak
in a more refined fashion, and overcomplication is not a problem, on
the contrary, it can raise the salary. The product of academic research
must sound valuable and very difficult to understand. If they expressed
themselves in a simple and clear language people would question their
high wages and fancy academic titles, the state would have no reason to
pay them anymore.

Whilst
deconstruction does not ignore the intensions of the author, it regards the
reader to be the sole agent of meaning.

Well, the detective must ultimately follow his own mind, doesn't he?
--
Roger J.
.
User: "mimus"

Title: Re: Deconstruction 20 Sep 2005 09:09:43 AM
On 20 Sep 2005 04:42:12 -0700, Roger Johansson wrote:

The whole critical theory bunch express themselves in an academic fancy
words fashion, which seems to be intended to hide what they are talking
about.
Or they have so pseudo-intellectually twisted minds so they cannot
express themselves in a simple and clear language.

Which is what they accuse everone else of. Hmmm.
--
In the previous number, the cattle rustlers (post-
Hegelian dogma) had trapped Professor Dewey in an
abandoned mine shaft (Jamesian pragmatism) and had
ignited the fuse leading to a keg of dynamite
(neo-Newtonian empiricism).
< S. J. Perelman
.

User: "perdurabo"

Title: Re: Deconstruction 20 Sep 2005 09:31:47 AM
With your emphasis on 'source', 'message' and 'target' I suspect that you
are co coming at this from a different perspective than me. You Also talk a
lot about American television programs. |Would I be wrong in thinking that
you are looking at this from a 'Media/Communication Studies' point of view.
Whilst this is a legitimate field of study I am using the word in a
philosophical context.
I am also not sure what you mean by 'tool' for 'critical thinking'. So far
as I am aware, deconstruction is a phenomenological method of analysis. It
is alleged that it reveals preconditions that underlie our use of language.
In philosophy this concerns undermining what Derrida calls the 'metaphysics
of presence'.
You are correct to say that 'deconstruction' and 'structuralism' resist
definition. Deconstruction is really just a collection of tools for
overturning presence. If a method were to be put forward then it would
probably consist of the following steps.
a) privileging the text over speech/thought/intension
b) Seeking out binary opposites in the text (e.g. nature/civilisation,
God/man, speech/ writing, simile/metaphor).
c) Blur the distinction between the binary opposites, thus undermining the
traditional privileging.
If this processes is repeated often enough the text will deconstruct itself.
In deconstructive analysis 'the self', 'God', and 'presence' are seen as
artificial constraints to language. It is held that these 'transcendental
have been introduced to 'fix' meaning. That being so deconstructionists
remove them from their analysis. As such then language is unstable. The
reader is the only person that can fix the meaning of the text.
You refer to 'concealed' meanings in your post. I am not sure what you mean
please give examples.
I also do not know what you mean by 'creationism' in the context of the
media. You seem to be contrasting it with 'deconstruction'. Is 'creationism'
the same as the 'metaphysics of presence'? If so haw does it apply to media
studies?
"Roger Johansson" <roger4911@gmail.com> wrote in message
news:1127216532.674152.87080@g49g2000cwa.googlegroups.com...


perdurabo wrote:

"mimus" wrote:

Roger Johansson wrote:


In this kind of culture it is meaningful and fruitful to explore all
possible meanings in a text, in a speech, in a created event. Some
meanings are useful, some are less important and useful. Judgement
based on knowledge is needed to be able to find and value hidden
meanings.


I notice you don't bother mentioning the meaning intended by the
writer,
speaker or creator.

Which is of course the major point of text and speech and creation, and
of
competent and honest analysis as well.


It depends on what the purpose of the research is.

If the main purpose is to explore the thinking of a certain person it
is of course important to try to find out what he meant.

If the purpose is to find the best political ideas in the world it
doesn't matter at all who thought or said something, only the idea is
important.

Perhaps I have misunderstood. Doesn't the 'intentional fallacy' suggest
that
the meaning of the text is not wholly what the writer indented? I thought
that deconstruction simply went a step further to place the emphasis
wholy
on the reader. As I understood it goes something like this:


I think you are overcomplicating this. What we are talking about are
descriptions of intellectual tools for critical thinking.

You can learn similar tools from watching the programs on tv about
forensics and police work. I think the producers of those programs have
an ambition to educate the american people, teach them to think in a
scientific and critical manner.

The average american lacks education in scientific and critical
thinking, and these programs about police work is the closest average
joe will ever come to science and critical thinking. He learns to
analyze what people say, learns to search for hidden meanings, learns
to weigh different views and scenarios against each other, learns to
judge the value of different pieces of evidence, learns to use
scientific methods and rational thinking.

(These programs are also full of standard american creationist ideals,
like manly attitudes, doublespeak, the whole package for the
chronically wondering, drama and lots of violence.)

Humanism: The author is paramount and the meaning of the text is the same
for every reader.


Humanism is not a tool for analyzing messages.

Humanism was a reaction against the religious views which ruled Europe
during medieval times. Humanism based its views on the common human and
his needs, not on the religious created people and their needs.

Structuralism: The culture is paramount and the text suggests many
meanings
to one reader. The student of literature examines the forces that act
upon
the author.


It is not possible to give exact definitions of analyzing tools like
structuralism, because any definition would be a limitation on the
researcher and his possibility to find out how it works.

If you wrote "the complete manual of police and forensic work" and
followed it literally all the time you would not be a good detective,
because you need to think for yourself all the time. You cannot think
freely by following an exact recipe.

Specific methods mentioned are just suggestions for all the ways you
can think about a problem.
Any list of such methods must be incomplete, because you can always add
a few more ways to think.

Piaget's book about structuralism is just talking about how things can
be connected into a structure. To understand some things, like a knot
in a net, you need to see its place in the larger structure.

Deconstruction: The reader is paramount and all interpretations of the
text
are valid, including that which is intended by the author. I suppose that
the student would highlight the forces that act upon the reader.


Again, you are assuming details about what deconstruction is which are
not necessary. Deconstraction is simply to be aware of the fact that
meanings often are hidden or disguised. An awareness of how convoluted
reality can be, and a talent for imagining different ways to analyze a
message or an event, even when the meaning is hidden, intentionally or
not.

I am sure that all of this is simplistic to the point of distortion.


The whole critical theory bunch express themselves in an academic fancy
words fashion, which seems to be intended to hide what they are talking
about.
Or they have so pseudo-intellectually twisted minds so they cannot
express themselves in a simple and clear language.

We have to see this in a practical way to understand why academic
writers express themselves in overcomplicated language.

When people get paid to work at a university they think they must speak
in a more refined fashion, and overcomplication is not a problem, on
the contrary, it can raise the salary. The product of academic research
must sound valuable and very difficult to understand. If they expressed
themselves in a simple and clear language people would question their
high wages and fancy academic titles, the state would have no reason to
pay them anymore.

Whilst
deconstruction does not ignore the intensions of the author, it regards
the
reader to be the sole agent of meaning.


Well, the detective must ultimately follow his own mind, doesn't he?


--
Roger J.

.




User: "Robert Cohen"

Title: Re: Deconstruction 18 Sep 2005 11:00:40 AM
Please re-post your essay to <alt.literature> too, because the concept
was discussed there a year or two ago.
"De-construction" has the connotation for me in that notoriously harsh
Woody Allen movie, THE DE-CONSTRUCTION OF HARRY.
Many avoided/walked-out of the torturous entertainment, as the jokes
weren't so humorous.
I sat thru it dumb-founded while also sickly laughing, and figuring
that Woody's ugly personal publicity has had this anti-screen un-gem
very nasty effect.
He is telling fans (as he also does in STAR DUST MEMORIES?) to just go
& f 'emselves (?).
When Jacques Derrida deceased, I posted a headline pun, not knowing
much more about him than that he is considered a de-constructionist.
I today enjoy columnist Rich, Dowd and others in the NY TIMES.
Because they self-assuredly, demagogically, dogmatically, unfairly, ad
hominemly, but nevertheless brilliantly ridicule & take-apart what
needs to be
de-constructed.
.
User: "Robert Cohen"

Title: Re: Deconstruction 18 Sep 2005 11:13:42 AM
1=2E Robert Cohen Oct 10 2004, 9:03 am show options
Newsgroups: alt.philosophy
From:
(Robert Cohen) - Find messages by this
author
Date: 10 Oct 2004 13:03:39 GMT
Local: Sun, Oct 10 2004 9:03 am
Subject: de-constructionist derrida deceases
Reply to Author | Forward | Print | Individual Message | Show original
| Report Abuse
copyrighted los angeles time 2004
www.latimes.com
October 10, 2004 E-mail story Print
OBITUARIES
Jacques Derrida, 74; Intellectual Founded Controversial Deconstruction
Movement
Photos
Jacques Derrida
(Joel Robine / AFP)
On The Web
Jacques Derrida links
Times Headlines
Jacques Derrida, 74; Intellectual Founded Controversial
Deconstructionists
By Elaine Woo, Times Staff Writer
Jacques Derrida, the influential French thinker and writer who inspired
admiration, vilification and utter bewilderment as the founder of the
intellectual movement known as deconstruction, has died. He was 74.
Derrida died Friday at a Paris hospital of complications from
pancreatic
cancer, French radio reported.
"With him, France has given the world one of its greatest contemporary
philosophers, one of the major figures of intellectual life of our
time,"
French President Jacques Chirac said in a statement Saturday. "Through
his
work, he sought to find the free movement which lies at the root of all
thinking."
Derrida, who divided his time between Paris and the United States,
where he
lectured annually at UC Irvine and other universities, was perhaps the
most
controversial and daring philosopher of the late 20th century.
He rocked the American academy in a 1966 speech that introduced
deconstruction
to the United States as a mode of analysis that sought to turn Western
philosophy on its head.
Deconstruction gained a following on college campuses across the
country, most
famously at Yale University in the 1970s and later at UC Irvine. A
notoriously
difficult theory, it left an imprint on a number of fields,
particularly
literature, where scholars seized on deconstruction as the basis for
radical
reinterpretations of classic works of literature and philosophy.
Gradually,
disciplines as disparate as business, architecture, law and religion
showed the
influence of Derrida's ideas.
Although deconstruction's influence has waned, it even penetrated
popular
culture, where the avant-garde in seemingly everything from couture to
cuisine
has been described, rightly or wrongly, as "deconstructed."
"Of all the philosophers of our time," eminent Stanford University
philosopher
Richard Rorty once said, Derrida "has been the most effective at doing
what
Socrates hoped philosophers would do: breaking the crust of convention,
questioning assumptions never before doubted, raising issues never
before
discussed."
His detractors were just as vociferous. Some labeled him a nihilist for
his
subversion of traditional principles, while others charged him with
deliberate
inscrutability.
John Searle, a Mills professor of philosophy at UC Berkeley and one of
Derrida's most eloquent critics, once said that what he found most
deplorable
about Derrida and deconstruction was "the low level of philosophical
argumentation, the deliberate obscurantism of the prose, the wildly
exaggerated
claims, and the constant striving to give the appearance of profundity
by
making claims that seem paradoxical, but under analysis often turn out
to be
silly or trivial."
Critics saw nothing silly about Derrida's defense in the late 1980s of
Paul de
Man, a Yale professor and a leading American proponent of
deconstruction who
had died earlier that decade. Derrida issued a 60-page essay supporting
De Man
after reports that De Man, a native of Belgium, had written for a
pro-Nazi
Belgian newspaper in the early 1940s. Derrida's critics seized on his
defense
of De Man as evidence of deconstruction's apolitical and nihilistic
nature.
In 1992, when Cambridge University proposed giving Derrida an honorary
degree,
the anti-Derrideans on the faculty raised strenuous objections,
pronouncing his
work "absurd," "disabling" and so perverse as to "make complete
nonsense of
science, technology and medicine." Their dissent triggered the first
full
faculty vote on an honorary degree in 30 years, but Derrida's
supporters
prevailed, 336 to 204.
Stimulating, Stupefying
The father of deconstruction ....blah, blah, blah, yada, yada, yada
(please see
the obit article at latimes.com)
=AB Start of topic =AB Older Messages 1 - 1 of 1 Newer =BB End of
topic =BB =20
=A92005 Google
.
User: "Richard R. Warnotck"

Title: Re: Deconstruction 20 Sep 2005 03:31:17 PM
In article <1127060022.854090.302830@o13g2000cwo.googlegroups.com>,
"Robert Cohen" <robtcohen@msn.com> wrote:

1. Robert Cohen Oct 10 2004, 9:03 am show options

Newsgroups: alt.philosophy
From:

(Robert Cohen) - Find messages by this
author
Date: 10 Oct 2004 13:03:39 GMT
Local: Sun, Oct 10 2004 9:03 am
Subject: de-constructionist derrida deceases
Reply to Author | Forward | Print | Individual Message | Show original
| Report Abuse

copyrighted los angeles time 2004


www.latimes.com


October 10, 2004 E-mail story Print


OBITUARIES
Jacques Derrida, 74; Intellectual Founded Controversial Deconstruction
Movement


Photos


Jacques Derrida
(Joel Robine / AFP)
On The Web


Jacques Derrida links
Times Headlines


Jacques Derrida, 74; Intellectual Founded Controversial
Deconstructionists
By Elaine Woo, Times Staff Writer


Jacques Derrida, the influential French thinker and writer who inspired

admiration, vilification and utter bewilderment as the founder of the
intellectual movement known as deconstruction, has died. He was 74.


Derrida died Friday at a Paris hospital of complications from
pancreatic
cancer, French radio reported.


"With him, France has given the world one of its greatest contemporary
philosophers, one of the major figures of intellectual life of our
time,"
French President Jacques Chirac said in a statement Saturday. "Through
his
work, he sought to find the free movement which lies at the root of all

thinking."


Derrida, who divided his time between Paris and the United States,
where he
lectured annually at UC Irvine and other universities, was perhaps the
most
controversial and daring philosopher of the late 20th century.


He rocked the American academy in a 1966 speech that introduced
deconstruction
to the United States as a mode of analysis that sought to turn Western
philosophy on its head.


Deconstruction gained a following on college campuses across the
country, most
famously at Yale University in the 1970s and later at UC Irvine. A
notoriously
difficult theory, it left an imprint on a number of fields,
particularly
literature, where scholars seized on deconstruction as the basis for
radical
reinterpretations of classic works of literature and philosophy.
Gradually,
disciplines as disparate as business, architecture, law and religion
showed the
influence of Derrida's ideas.


Although deconstruction's influence has waned, it even penetrated
popular
culture, where the avant-garde in seemingly everything from couture to
cuisine
has been described, rightly or wrongly, as "deconstructed."


"Of all the philosophers of our time," eminent Stanford University
philosopher
Richard Rorty once said, Derrida "has been the most effective at doing
what
Socrates hoped philosophers would do: breaking the crust of convention,

questioning assumptions never before doubted, raising issues never
before
discussed."

That's nonsense, actually. The sort of ideas people generally praise
Derrida for are familiar generalities.
Here's Sarvepalli Radhakrishnan on Nagarjuna, in his book on Indian
philosophy: 'We have in the theory of Nagarjuna a philosophically
sustained statement of the central position of the Upanishads. There is
a real, though we cannot know it; and what we know is not real, for
every interpretation of the world as an intelligible system breaks down.
All this prepared the way for a self-conscious criticism of reason.
Thought itself is self-contradictory or inadequate.' p. 42
.
User: "Robert Cohen"

Title: Re: Deconstruction 20 Sep 2005 06:53:08 PM

That's nonsense, actually. The sort of ideas people generally praise

Derrida for are familiar generalities.

Here's Sarvepalli Radhakrishnan on Nagarjuna, in his book on Indian

philosophy: 'We have in the theory of Nagarjuna a philosophically
sustained statement of the central position of the Upanishads. There is
a real, though we cannot know it; and what we know is not real, for
every interpretation of the world as an intelligible system breaks
down.
All this prepared the way for a self-conscious criticism of reason.
Thought itself is self-contradictory or inadequate.' p. 42
10. Professor Backwards is hurt in a car wreck, and yells "PLEH, PLEH."
(dis-credit to Chevy Chase for this, please)
9. My Dad liked to "double talk," which was apparently taken from THE
JABBERWOCKY--so now ya know why I'm so damne logical
8. Professor Deridda's course was coarse.
7..Does that clarifying philosopher Saverpalli moonlight by answering
the phone for reservations for Ranada Inn, because i think we talked
about a "no smoking room" last week, and he absolutely assures me they
will have an extinguisher for the contingency at Ramada.
6. Professor Derrida: If the helle-raising menace wasn't banned in
Boston, then Silver (?) wasn't doing his reactionary job.
5. Jacques Derrida: Ya just can't trust them pied noirs Algerians
(where he was reportedly born in colonial bureaucrat's family)
4. "There is nothing more fun than being paid to ridicule," Derrida
should say (if he didn't)
3. Brando, asked in motorcycle gang movie in 1950s, "What are rebelling
against?" Marlon answers " "Whatya got?"
2. I'm sure ya had to know somebody to get into his classes/lectures.
1. One word: Jewboy
.
User: "mimus"

Title: Re: Deconstruction 20 Sep 2005 07:02:13 PM
On 20 Sep 2005 16:53:08 -0700, Robert Cohen wrote:

That's nonsense, actually. The sort of ideas people generally praise

Derrida for are familiar generalities.

Here's Sarvepalli Radhakrishnan on Nagarjuna, in his book on Indian

philosophy: 'We have in the theory of Nagarjuna a philosophically
sustained statement of the central position of the Upanishads. There is

a real, though we cannot know it; and what we know is not real, for
every interpretation of the world as an intelligible system breaks
down.
All this prepared the way for a self-conscious criticism of reason.
Thought itself is self-contradictory or inadequate.' p. 42

10. Professor Backwards is hurt in a car wreck, and yells "PLEH, PLEH."
(dis-credit to Chevy Chase for this, please)
9. My Dad liked to "double talk," which was apparently taken from THE
JABBERWOCKY--so now ya know why I'm so damne logical
8. Professor Deridda's course was coarse.
7..Does that clarifying philosopher Saverpalli moonlight by answering
the phone for reservations for Ranada Inn, because i think we talked
about a "no smoking room" last week, and he absolutely assures me they
will have an extinguisher for the contingency at Ramada.
6. Professor Derrida: If the helle-raising menace wasn't banned in
Boston, then Silver (?) wasn't doing his reactionary job.
5. Jacques Derrida: Ya just can't trust them pied noirs Algerians
(where he was reportedly born in colonial bureaucrat's family)
4. "There is nothing more fun than being paid to ridicule," Derrida
should say (if he didn't)
3. Brando, asked in motorcycle gang movie in 1950s, "What are rebelling
against?" Marlon answers " "Whatya got?"
2. I'm sure ya had to know somebody to get into his classes/lectures.
1. One word: Jewboy

If you haven't read Malcolm Bradbury's wonderful and wonderfully funny
deconstruction of structuralism- deconstructionism, _(My Strange Quest for)
Mensonge_, please, please do . . . .
(BTW: Maynard G. Krebs: Rebel without a clue.)
--
In the previous number, the cattle rustlers (post-
Hegelian dogma) had trapped Professor Dewey in an
abandoned mine shaft (Jamesian pragmatism) and had
ignited the fuse leading to a keg of dynamite
(neo-Newtonian empiricism).
< S. J. Perelman
.






  Page 1 of 1

1

 


Related Articles
 

NEWER

pg.716     pg.544     pg.412     pg.311     pg.234     pg.175     pg.130     pg.96     pg.70     pg.50     pg.35     pg.24     pg.16     pg.10     pg.6     pg.3     pg.1

OLDER