| Topic: |
Science > Philosophy |
| User: |
"Publius" |
| Date: |
01 Dec 2004 12:15:14 AM |
| Object: |
Economic Miracle |
A classic.
---------
I, Pencil
by Leonard E. Read
I am a lead pencil --- the ordinary wooden pencil familiar to all boys and
girls and adults who can read and write.
Writing is both my vocation and my avocation; that's all I do.
You may wonder why I should write a genealogy. Well, to begin with, my story
is interesting. And, next, I am a mystery --- more so than a tree or a
sunset or even a flash of lightning. But, sadly, I am taken for granted by
those who use me, as if I were a mere incident and without background. This
supercilious attitude relegates me to the level of the commonplace. This is
a species of the grievous error in which mankind cannot too long persist
without peril. For, the wise G. K. Chesterton observed, `"We are perishing
for want of wonder, not for want of wonders."
I, Pencil, simple though I appear to be, merit your wonder and awe, a claim
I shall attempt to prove. In fact, if you can understand me --- no, that's
too much to ask of anyone --- if you can become aware of the miraculousness
which I symbolize, you can help save the freedom mankind is so unhappily
losing. I have a profound lesson to teach. And I can teach this lesson
better than can an automobile or an airplane or a mechanical dishwasher
because --- well, because I am seemingly so simple.
Simple? Yet, not a single person on the face of this earth knows how to make
me. This sounds fantastic, doesn't it? Especially when it is realized that
there are about one and one-half billion of my kind produced in the U.S.A.
each year.
Pick me up and look me over. What do you see? Not much meets the eye ---
there's some wood, lacquer, the printed labeling, graphite lead, a bit of
metal, and an eraser.
Innumerable Antecedents
Just as you cannot trace your family tree back very far, so is it impossible
for me to name and explain all my antecedents. But I would like to suggest
enough of them to impress upon you the richness and complexity of my
background.
My family tree begins with what in fact is a tree, a cedar of straight grain
that grows in Northern California and Oregon. Now contemplate all the saws
and trucks and rope and the countless other gear used in harvesting and
carting the cedar logs to the railroad siding. Think of all the persons and
the numberless skills that went into their fabrication: the mining of ore,
the making of steel and its refinement into saws, axes, motors; the growing
of hemp and bringing it through all the stages to heavy and strong rope; the
logging camps with their beds and mess halls, the cookery and the raising of
all the foods. Why, untold thousands of persons had a hand in every cup of
coffee the loggers drink!
The logs are shipped to a mill in San Leandro, California. Can you imagine
the individuals who make flat cars and rails and railroad engines and who
construct and install the communication systems incidental thereto? These
legions are among my antecedents.
Consider the millwork in San Leandro. The cedar logs are cut into small,
pencil- length slats less than one-fourth of an inch in thickness. These are
kiln dried and then tinted for the same reason women put rouge on their
faces. People prefer that I look pretty, not a pallid white. The slats are
waxed and kiln dried again. How many skills went into the making of the tint
and the kilns, into supplying the heat, the light and power, the belts,
motors, and all the other things a mill requires? Sweepers in the mill among
my ancestors? Yes, and included are the men who poured the concrete for the
dam of a Pacific Gas & Electric Company hydroplant which supplies the mill's
power!
Don't overlook the ancestors present and distant who have a hand in
transporting sixty carloads of slats across the nation.
Once in the pencil factory--$4,000,000 in machinery and building, all
capital accumulated by thrifty and saving parents of mine--each slat is
given eight grooves by a complex machine, after which another machine lays
leads in every other slat, applies glue, and places another slat atop--a
lead sandwich, so to speak. Seven brothers and I are mechanically carved
from this "wood- clinched'" sandwich.
My "lead'" itself--it contains no lead at all--is complex. The graphite is
mined in Ceylon. Consider these miners and those who make their many tools
and the makers of the paper sacks in which the graphite is shipped and those
who make the string that ties the sacks and those who put them aboard ships
and those who make the ships. Even the lighthouse keepers along the way
assisted in my birth--and the harbor pilots.
The graphite is mixed with clay from Mississippi in which ammonium hydroxide
is used in the refining process. Then wetting agents are added such as
sulfonated tallow--animal fats chemically reacted with sulfuric acid. After
passing through numerous machines, the mixture finally appears as endless
extrusions--as from a sausage grinder--cut to size, dried, and baked for
several hours at 1,850 degrees Fahrenheit. To increase their strength and
smoothness the leads are then treated with a hot mixture which includes
candelilla wax from Mexico, paraffin wax, and hydrogenated natural fats.
My cedar receives six coats of lacquer. Do you know all the ingredients of
lacquer? Who would think that the growers of castor beans and the refiners
of castor oil are a part of it? They are. Why, even the processes by which
the lacquer is made a beautiful yellow involves the skills of more persons
than one can enumerate!
Observe the labeling. That's a film formed by applying heat to carbon black
mixed with resins. How do you make resins and what, pray, is carbon black?
My bit of metal--the ferrule--is brass. Think of all the persons who mine
zinc and copper and those who have the skills to make shiny sheet brass from
these products of nature. Those black rings on my ferrule are black nickel.
What is black nickel and how is it applied? The complete story of why the
center of my ferrule has no black nickel on it would take pages to explain.
Then there's my crowning glory, inelegantly referred to in the trade as "the
plug," the part man uses to erase the errors he makes with me. An ingredient
called "factice" is what does the erasing. It is a rubber-like product made
by reacting rape- seed oil from the Dutch East Indies with sulfur chloride.
Rubber, contrary to the common notion, is only for binding purposes. Then,
too, there are numerous vulcanizing and accelerating agents. The pumice
comes from Italy; and the pigment which gives "the plug" its color is
cadmium sulfide.
No One Knows
Does anyone wish to challenge my earlier assertion that no single person on
the face of this earth knows how to make me?
Actually, millions of human beings have had a hand in my creation, no one of
whom even knows more than a very few of the others. Now, you may say that I
go too far in relating the picker of a coffee berry in far off Brazil and
food growers elsewhere to my creation; that this is an extreme position. I
shall stand by my claim. There isn't a single person in all these millions,
including the president of the pencil company, who contributes more than a
tiny, infinitesimal bit of know-how. From the standpoint of know-how the
only difference between the miner of graphite in Ceylon and the logger in
Oregon is in the type of know-how. Neither the miner nor the logger can be
dispensed with, any more than can the chemist at the factory or the worker
in the oil field--paraffin being a by-product of petroleum.
Here is an astounding fact: Neither the worker in the oil field nor the
chemist nor the digger of graphite or clay nor any who mans or makes the
ships or trains or trucks nor the one who runs the machine that does the
knurling on my bit of metal nor the president of the company performs his
singular task because he wants me. Each one wants me less, perhaps, than
does a child in the first grade. Indeed, there are some among this vast
multitude who never saw a pencil nor would they know how to use one. Their
motivation is other than me. Perhaps it is something like this: Each of
these millions sees that he can thus exchange his tiny know-how for the
goods and services he needs or wants. I may or may not be among these items.
No Master Mind
There is a fact still more astounding: The absence of a master mind, of
anyone dictating or forcibly directing these countless actions which bring
me into being. No trace of such a person can be found. Instead, we find the
Invisible Hand at work. This is the mystery to which I earlier referred.
It has been said that "'only God can make a tree.'" Why do we agree with
this? Isn't it because we realize that we ourselves could not make one?
Indeed, can we even describe a tree? We cannot, except in superficial terms.
We can say, for instance, that a certain molecular configuration manifests
itself as a tree. But what mind is there among men that could even record,
let alone direct, the constant changes in molecules that transpire in the
life span of a tree? Such a feat is utterly unthinkable!
I, Pencil, am a complex combination of miracles: a tree, zinc, copper,
graphite, and so on. But to these miracles which manifest themselves in
Nature an even more extraordinary miracle has been added: the configuration
of creative human energies--millions of tiny know-hows configurating
naturally and spontaneously in response to human necessity and desire and in
the absence of any human master-minding! Since only God can make a tree, I
insist that only God could make me. Man can no more direct these millions of
know-hows to bring me into being than he can put molecules together to
create a tree.
The above is what I meant when writing, "If you can become aware of the
miraculousness which I symbolize, you can help save the freedom mankind is
so unhappily losing." For, if one is aware that these know-hows will
naturally, yes, automatically, arrange themselves into creative and
productive patterns in response to human necessity and demand--that is, in
the absence of governmental or any other coercive master-minding --- then
one will possess an absolutely essential ingredient for freedom: a faith in
free people. Freedom is impossible without this faith.
Once government has had a monopoly of a creative activity such, for
instance, as the delivery of the mails, most individuals will believe that
the mails could not be efficiently delivered by men acting freely. And here
is the reason: Each one acknowledges that he himself doesn't know how to do
all the things incident to mail delivery. He also recognizes that no other
individual could do it. These assumptions are correct. No individual
possesses enough know-how to perform a nation's mail delivery any more than
any individual possesses enough know-how to make a pencil. Now, in the
absence of faith in free people --- in the unawareness that millions of tiny
know-hows would naturally and miraculously form and cooperate to satisfy
this necessity --- the individual cannot help but reach the erroneous
conclusion that mail can be delivered only by governmental "master-minding."
Testimony Galore
If I, Pencil, were the only item that could offer testimony on what men and
women can accomplish when free to try, then those with little faith would
have a fair case. However, there is testimony galore; it's all about us and
on every hand. Mail delivery is exceedingly simple when compared, for
instance, to the making of an automobile or a calculating machine or a grain
combine or a milling machine or to tens of thousands of other things.
Delivery? Why, in this area where men have been left free to try, they
deliver the human voice around the world in less than one second; they
deliver an event visually and in motion to any person's home when it is
happening; they deliver 150 passengers from Seattle to Baltimore in less
than four hours; they deliver gas from Texas to one's range or furnace in
New York at unbelievably low rates and without subsidy; they deliver each
four pounds of oil from the Persian Gulf to our Eastern Seaboard --- halfway
around the world --- for less money than the government charges for
delivering a one-ounce letter across the street!
The lesson I have to teach is this: Leave all creative energies uninhibited.
Merely organize society to act in harmony with this lesson. Let society's
legal apparatus remove all obstacles the best it can. Permit these creative
know-hows freely to flow. Have faith that free men and women will respond to
the Invisible Hand. This faith will be confirmed. I, Pencil, seemingly
simple though I am, offer the miracle of my creation as testimony that this
is a practical faith, as practical as the sun, the rain, a cedar tree, the
good earth.
----------------
Original here: http://209.217.49.168/vnews.php?nid=316
.
|
|
| User: "Anticorporation" |
|
| Title: Re: Economic Miracle |
01 Dec 2004 02:38:14 PM |
|
|
I don't know about that, I mean sure it was good say like twenty or thirty
years ago when people needed pencils so they could participate in govt.
funded school programs, but, it did not explain the monopolistic practices
of the #2 corporation.
But now, do Americans even need pencils? Well, maybe for a ransom note or
something, but how many of those are most people going to write? I prefer
cutting ***** out of newspapers, its just so much more artistic, given what I
will do to the body and all. Anyways, it seems people in the US do not need
pencils anymore so, shouldn't they just quit cutting down the trees to make
them?
Or, are they planning on de-foresting the US so every kid in Iraq can go
to a US funded school and write stuff that govt. teachers tell them is
'right'? Can you imagine how tough I had it in school because of those
fucking self-righteous teachers towing the govt. line? "No, you can't write
about exterminating people", "No, you can't say '*****' the little snatch in
your 'what I did last summer report'. We are concerned, not with developing
your mind, but, by shaping it.
Word to you, there is no 'invisible hand', that is a LIE. You people and
your fucking gods make me sick, only I am in touch with the real God and he
tells me we need the trees, it is better to cut-up people.
Isn't it cheaper to cut down the rain-forests now and displace indigenous
peoples, I do not think they are moving because of some invisible hand, I
personally think it is the bulldozers and govt. troops, however, I could be
wrong, wouldn't want to question your 'faith' or anything, I might be
labeled anti-whatever or worse, even a Nazi.
You know, I was thinking, you can't call me 'antisemetic', I have already
been labeled ANTICORPORATION and I am a copyrighted trademark of global
terrorism. So, let this be a warning to all of you people involved with the
copyright infringement and false labeling practices.
Ok, so what we we talking about, slaughtering people so we can make
pencils? Aren't Canadiens considered indigenous to Canada, I hear their are
a lot of forests up there and I thinking we could cut down on shipping costs
if we cut down their trees as opposed to going all the way to Indonesia
China or South America. Besides, Americans could migrate up theere much
easier as the hords must go where the work is.
But, aren't they now outsourcing most jobs connected with making these
all-important pencils of truth? Why would I economically support a
communist country who has NUCLEAR WEAPONS pointed down my throat, do they
not have enough money for national defense? I wonder if I could breed some
illigitimate children and trade them for a couple of good #2's Could I
trade them in mexican children? We are talking economics here right? I
don't think the 'invisible hand' really cares about what goods and
commodities I deal in, do you, did it say something to you?
For some unknown reason I do not think logging in America actually is
viable anymore:
http://www.virginiaforestwatch.org/ecl.html
It seems like the everywhere I turn i just here about tax-payer
subsidization, that industries come and go depending on the economic
climate, but there populations just continue to grow, even when they are no
longer viable. So, If we do not want a revolt on our hands, we must
subsidize entire communities built upon and aging business. Like I said,
once the business is no longer viable I do not think the people should be
either, we must kill them to maintain our economic integrity, that is what
my economic God of righteousness tells me.
Why are you make an economic argument for China?
http://pencil.manufacturers.alibaba.com/
"Publius" <m.publius@comcast.net> wrote in message
news:Rjdrd.696070$8_6.546419@attbi_s04...
A classic.
---------
I, Pencil
by Leonard E. Read
I am a lead pencil --- the ordinary wooden pencil familiar to all boys and
girls and adults who can read and write.
Writing is both my vocation and my avocation; that's all I do.
You may wonder why I should write a genealogy. Well, to begin with, my
story
is interesting. And, next, I am a mystery --- more so than a tree or a
sunset or even a flash of lightning. But, sadly, I am taken for granted by
those who use me, as if I were a mere incident and without background.
This
supercilious attitude relegates me to the level of the commonplace. This
is
a species of the grievous error in which mankind cannot too long persist
without peril. For, the wise G. K. Chesterton observed, `"We are perishing
for want of wonder, not for want of wonders."
I, Pencil, simple though I appear to be, merit your wonder and awe, a
claim
I shall attempt to prove. In fact, if you can understand me --- no, that's
too much to ask of anyone --- if you can become aware of the
miraculousness
which I symbolize, you can help save the freedom mankind is so unhappily
losing. I have a profound lesson to teach. And I can teach this lesson
better than can an automobile or an airplane or a mechanical dishwasher
because --- well, because I am seemingly so simple.
Simple? Yet, not a single person on the face of this earth knows how to
make
me. This sounds fantastic, doesn't it? Especially when it is realized that
there are about one and one-half billion of my kind produced in the U.S.A.
each year.
Pick me up and look me over. What do you see? Not much meets the eye ---
there's some wood, lacquer, the printed labeling, graphite lead, a bit of
metal, and an eraser.
Innumerable Antecedents
Just as you cannot trace your family tree back very far, so is it
impossible
for me to name and explain all my antecedents. But I would like to suggest
enough of them to impress upon you the richness and complexity of my
background.
My family tree begins with what in fact is a tree, a cedar of straight
grain
that grows in Northern California and Oregon. Now contemplate all the saws
and trucks and rope and the countless other gear used in harvesting and
carting the cedar logs to the railroad siding. Think of all the persons
and
the numberless skills that went into their fabrication: the mining of ore,
the making of steel and its refinement into saws, axes, motors; the
growing
of hemp and bringing it through all the stages to heavy and strong rope;
the
logging camps with their beds and mess halls, the cookery and the raising
of
all the foods. Why, untold thousands of persons had a hand in every cup of
coffee the loggers drink!
The logs are shipped to a mill in San Leandro, California. Can you imagine
the individuals who make flat cars and rails and railroad engines and who
construct and install the communication systems incidental thereto? These
legions are among my antecedents.
Consider the millwork in San Leandro. The cedar logs are cut into small,
pencil- length slats less than one-fourth of an inch in thickness. These
are
kiln dried and then tinted for the same reason women put rouge on their
faces. People prefer that I look pretty, not a pallid white. The slats are
waxed and kiln dried again. How many skills went into the making of the
tint
and the kilns, into supplying the heat, the light and power, the belts,
motors, and all the other things a mill requires? Sweepers in the mill
among
my ancestors? Yes, and included are the men who poured the concrete for
the
dam of a Pacific Gas & Electric Company hydroplant which supplies the
mill's
power!
Don't overlook the ancestors present and distant who have a hand in
transporting sixty carloads of slats across the nation.
Once in the pencil factory--$4,000,000 in machinery and building, all
capital accumulated by thrifty and saving parents of mine--each slat is
given eight grooves by a complex machine, after which another machine lays
leads in every other slat, applies glue, and places another slat atop--a
lead sandwich, so to speak. Seven brothers and I are mechanically carved
from this "wood- clinched'" sandwich.
My "lead'" itself--it contains no lead at all--is complex. The graphite is
mined in Ceylon. Consider these miners and those who make their many tools
and the makers of the paper sacks in which the graphite is shipped and
those
who make the string that ties the sacks and those who put them aboard
ships
and those who make the ships. Even the lighthouse keepers along the way
assisted in my birth--and the harbor pilots.
The graphite is mixed with clay from Mississippi in which ammonium
hydroxide
is used in the refining process. Then wetting agents are added such as
sulfonated tallow--animal fats chemically reacted with sulfuric acid.
After
passing through numerous machines, the mixture finally appears as endless
extrusions--as from a sausage grinder--cut to size, dried, and baked for
several hours at 1,850 degrees Fahrenheit. To increase their strength and
smoothness the leads are then treated with a hot mixture which includes
candelilla wax from Mexico, paraffin wax, and hydrogenated natural fats.
My cedar receives six coats of lacquer. Do you know all the ingredients of
lacquer? Who would think that the growers of castor beans and the refiners
of castor oil are a part of it? They are. Why, even the processes by which
the lacquer is made a beautiful yellow involves the skills of more persons
than one can enumerate!
Observe the labeling. That's a film formed by applying heat to carbon
black
mixed with resins. How do you make resins and what, pray, is carbon black?
My bit of metal--the ferrule--is brass. Think of all the persons who mine
zinc and copper and those who have the skills to make shiny sheet brass
from
these products of nature. Those black rings on my ferrule are black
nickel.
What is black nickel and how is it applied? The complete story of why the
center of my ferrule has no black nickel on it would take pages to
explain.
Then there's my crowning glory, inelegantly referred to in the trade as
"the
plug," the part man uses to erase the errors he makes with me. An
ingredient
called "factice" is what does the erasing. It is a rubber-like product
made
by reacting rape- seed oil from the Dutch East Indies with sulfur
chloride.
Rubber, contrary to the common notion, is only for binding purposes. Then,
too, there are numerous vulcanizing and accelerating agents. The pumice
comes from Italy; and the pigment which gives "the plug" its color is
cadmium sulfide.
No One Knows
Does anyone wish to challenge my earlier assertion that no single person
on
the face of this earth knows how to make me?
Actually, millions of human beings have had a hand in my creation, no one
of
whom even knows more than a very few of the others. Now, you may say that
I
go too far in relating the picker of a coffee berry in far off Brazil and
food growers elsewhere to my creation; that this is an extreme position. I
shall stand by my claim. There isn't a single person in all these
millions,
including the president of the pencil company, who contributes more than a
tiny, infinitesimal bit of know-how. From the standpoint of know-how the
only difference between the miner of graphite in Ceylon and the logger in
Oregon is in the type of know-how. Neither the miner nor the logger can be
dispensed with, any more than can the chemist at the factory or the worker
in the oil field--paraffin being a by-product of petroleum.
Here is an astounding fact: Neither the worker in the oil field nor the
chemist nor the digger of graphite or clay nor any who mans or makes the
ships or trains or trucks nor the one who runs the machine that does the
knurling on my bit of metal nor the president of the company performs his
singular task because he wants me. Each one wants me less, perhaps, than
does a child in the first grade. Indeed, there are some among this vast
multitude who never saw a pencil nor would they know how to use one. Their
motivation is other than me. Perhaps it is something like this: Each of
these millions sees that he can thus exchange his tiny know-how for the
goods and services he needs or wants. I may or may not be among these
items.
No Master Mind
There is a fact still more astounding: The absence of a master mind, of
anyone dictating or forcibly directing these countless actions which bring
me into being. No trace of such a person can be found. Instead, we find
the
Invisible Hand at work. This is the mystery to which I earlier referred.
It has been said that "'only God can make a tree.'" Why do we agree with
this? Isn't it because we realize that we ourselves could not make one?
Indeed, can we even describe a tree? We cannot, except in superficial
terms.
We can say, for instance, that a certain molecular configuration manifests
itself as a tree. But what mind is there among men that could even record,
let alone direct, the constant changes in molecules that transpire in the
life span of a tree? Such a feat is utterly unthinkable!
I, Pencil, am a complex combination of miracles: a tree, zinc, copper,
graphite, and so on. But to these miracles which manifest themselves in
Nature an even more extraordinary miracle has been added: the
configuration
of creative human energies--millions of tiny know-hows configurating
naturally and spontaneously in response to human necessity and desire and
in
the absence of any human master-minding! Since only God can make a tree, I
insist that only God could make me. Man can no more direct these millions
of
know-hows to bring me into being than he can put molecules together to
create a tree.
The above is what I meant when writing, "If you can become aware of the
miraculousness which I symbolize, you can help save the freedom mankind is
so unhappily losing." For, if one is aware that these know-hows will
naturally, yes, automatically, arrange themselves into creative and
productive patterns in response to human necessity and demand--that is, in
the absence of governmental or any other coercive master-minding --- then
one will possess an absolutely essential ingredient for freedom: a faith
in
free people. Freedom is impossible without this faith.
Once government has had a monopoly of a creative activity such, for
instance, as the delivery of the mails, most individuals will believe that
the mails could not be efficiently delivered by men acting freely. And
here
is the reason: Each one acknowledges that he himself doesn't know how to
do
all the things incident to mail delivery. He also recognizes that no other
individual could do it. These assumptions are correct. No individual
possesses enough know-how to perform a nation's mail delivery any more
than
any individual possesses enough know-how to make a pencil. Now, in the
absence of faith in free people --- in the unawareness that millions of
tiny
know-hows would naturally and miraculously form and cooperate to satisfy
this necessity --- the individual cannot help but reach the erroneous
conclusion that mail can be delivered only by governmental
"master-minding."
Testimony Galore
If I, Pencil, were the only item that could offer testimony on what men
and
women can accomplish when free to try, then those with little faith would
have a fair case. However, there is testimony galore; it's all about us
and
on every hand. Mail delivery is exceedingly simple when compared, for
instance, to the making of an automobile or a calculating machine or a
grain
combine or a milling machine or to tens of thousands of other things.
Delivery? Why, in this area where men have been left free to try, they
deliver the human voice around the world in less than one second; they
deliver an event visually and in motion to any person's home when it is
happening; they deliver 150 passengers from Seattle to Baltimore in less
than four hours; they deliver gas from Texas to one's range or furnace in
New York at unbelievably low rates and without subsidy; they deliver each
four pounds of oil from the Persian Gulf to our Eastern Seaboard ---
halfway
around the world --- for less money than the government charges for
delivering a one-ounce letter across the street!
The lesson I have to teach is this: Leave all creative energies
uninhibited.
Merely organize society to act in harmony with this lesson. Let society's
legal apparatus remove all obstacles the best it can. Permit these
creative
know-hows freely to flow. Have faith that free men and women will respond
to
the Invisible Hand. This faith will be confirmed. I, Pencil, seemingly
simple though I am, offer the miracle of my creation as testimony that
this
is a practical faith, as practical as the sun, the rain, a cedar tree, the
good earth.
----------------
Original here: http://209.217.49.168/vnews.php?nid=316
.
|
|
|
| User: "tooly" |
|
| Title: Re: Economic Miracle |
03 Dec 2004 01:14:45 PM |
|
|
How do we explain 'pet rocks'?
"Anticorporation" <anticorporation@absurdity.com> wrote in message
news:WYprd.1655$nP1.665@twister.socal.rr.com...
I don't know about that, I mean sure it was good say like twenty or
thirty years ago when people needed pencils so they could participate in
govt. funded school programs, but, it did not explain the monopolistic
practices of the #2 corporation.
But now, do Americans even need pencils? Well, maybe for a ransom note
or something, but how many of those are most people going to write? I
prefer cutting ***** out of newspapers, its just so much more artistic,
given what I will do to the body and all. Anyways, it seems people in the
US do not need pencils anymore so, shouldn't they just quit cutting down
the trees to make them?
Or, are they planning on de-foresting the US so every kid in Iraq can go
to a US funded school and write stuff that govt. teachers tell them is
'right'? Can you imagine how tough I had it in school because of those
fucking self-righteous teachers towing the govt. line? "No, you can't
write about exterminating people", "No, you can't say '*****' the little
snatch in your 'what I did last summer report'. We are concerned, not
with developing your mind, but, by shaping it.
Word to you, there is no 'invisible hand', that is a LIE. You people and
your fucking gods make me sick, only I am in touch with the real God and
he tells me we need the trees, it is better to cut-up people.
Isn't it cheaper to cut down the rain-forests now and displace indigenous
peoples, I do not think they are moving because of some invisible hand, I
personally think it is the bulldozers and govt. troops, however, I could
be wrong, wouldn't want to question your 'faith' or anything, I might be
labeled anti-whatever or worse, even a Nazi.
You know, I was thinking, you can't call me 'antisemetic', I have already
been labeled ANTICORPORATION and I am a copyrighted trademark of global
terrorism. So, let this be a warning to all of you people involved with
the copyright infringement and false labeling practices.
Ok, so what we we talking about, slaughtering people so we can make
pencils? Aren't Canadiens considered indigenous to Canada, I hear their
are a lot of forests up there and I thinking we could cut down on shipping
costs if we cut down their trees as opposed to going all the way to
Indonesia China or South America. Besides, Americans could migrate up
theere much easier as the hords must go where the work is.
But, aren't they now outsourcing most jobs connected with making these
all-important pencils of truth? Why would I economically support a
communist country who has NUCLEAR WEAPONS pointed down my throat, do they
not have enough money for national defense? I wonder if I could breed
some illigitimate children and trade them for a couple of good #2's Could
I trade them in mexican children? We are talking economics here right? I
don't think the 'invisible hand' really cares about what goods and
commodities I deal in, do you, did it say something to you?
For some unknown reason I do not think logging in America actually is
viable anymore:
http://www.virginiaforestwatch.org/ecl.html
It seems like the everywhere I turn i just here about tax-payer
subsidization, that industries come and go depending on the economic
climate, but there populations just continue to grow, even when they are
no longer viable. So, If we do not want a revolt on our hands, we must
subsidize entire communities built upon and aging business. Like I said,
once the business is no longer viable I do not think the people should be
either, we must kill them to maintain our economic integrity, that is what
my economic God of righteousness tells me.
Why are you make an economic argument for China?
http://pencil.manufacturers.alibaba.com/
"Publius" <m.publius@comcast.net> wrote in message
news:Rjdrd.696070$8_6.546419@attbi_s04...
A classic.
---------
I, Pencil
by Leonard E. Read
I am a lead pencil --- the ordinary wooden pencil familiar to all boys
and
girls and adults who can read and write.
Writing is both my vocation and my avocation; that's all I do.
You may wonder why I should write a genealogy. Well, to begin with, my
story
is interesting. And, next, I am a mystery --- more so than a tree or a
sunset or even a flash of lightning. But, sadly, I am taken for granted
by
those who use me, as if I were a mere incident and without background.
This
supercilious attitude relegates me to the level of the commonplace. This
is
a species of the grievous error in which mankind cannot too long persist
without peril. For, the wise G. K. Chesterton observed, `"We are
perishing
for want of wonder, not for want of wonders."
I, Pencil, simple though I appear to be, merit your wonder and awe, a
claim
I shall attempt to prove. In fact, if you can understand me --- no,
that's
too much to ask of anyone --- if you can become aware of the
miraculousness
which I symbolize, you can help save the freedom mankind is so unhappily
losing. I have a profound lesson to teach. And I can teach this lesson
better than can an automobile or an airplane or a mechanical dishwasher
because --- well, because I am seemingly so simple.
Simple? Yet, not a single person on the face of this earth knows how to
make
me. This sounds fantastic, doesn't it? Especially when it is realized
that
there are about one and one-half billion of my kind produced in the
U.S.A.
each year.
Pick me up and look me over. What do you see? Not much meets the eye ---
there's some wood, lacquer, the printed labeling, graphite lead, a bit of
metal, and an eraser.
Innumerable Antecedents
Just as you cannot trace your family tree back very far, so is it
impossible
for me to name and explain all my antecedents. But I would like to
suggest
enough of them to impress upon you the richness and complexity of my
background.
My family tree begins with what in fact is a tree, a cedar of straight
grain
that grows in Northern California and Oregon. Now contemplate all the
saws
and trucks and rope and the countless other gear used in harvesting and
carting the cedar logs to the railroad siding. Think of all the persons
and
the numberless skills that went into their fabrication: the mining of
ore,
the making of steel and its refinement into saws, axes, motors; the
growing
of hemp and bringing it through all the stages to heavy and strong rope;
the
logging camps with their beds and mess halls, the cookery and the raising
of
all the foods. Why, untold thousands of persons had a hand in every cup
of
coffee the loggers drink!
The logs are shipped to a mill in San Leandro, California. Can you
imagine
the individuals who make flat cars and rails and railroad engines and who
construct and install the communication systems incidental thereto? These
legions are among my antecedents.
Consider the millwork in San Leandro. The cedar logs are cut into small,
pencil- length slats less than one-fourth of an inch in thickness. These
are
kiln dried and then tinted for the same reason women put rouge on their
faces. People prefer that I look pretty, not a pallid white. The slats
are
waxed and kiln dried again. How many skills went into the making of the
tint
and the kilns, into supplying the heat, the light and power, the belts,
motors, and all the other things a mill requires? Sweepers in the mill
among
my ancestors? Yes, and included are the men who poured the concrete for
the
dam of a Pacific Gas & Electric Company hydroplant which supplies the
mill's
power!
Don't overlook the ancestors present and distant who have a hand in
transporting sixty carloads of slats across the nation.
Once in the pencil factory--$4,000,000 in machinery and building, all
capital accumulated by thrifty and saving parents of mine--each slat is
given eight grooves by a complex machine, after which another machine
lays
leads in every other slat, applies glue, and places another slat atop--a
lead sandwich, so to speak. Seven brothers and I are mechanically carved
from this "wood- clinched'" sandwich.
My "lead'" itself--it contains no lead at all--is complex. The graphite
is
mined in Ceylon. Consider these miners and those who make their many
tools
and the makers of the paper sacks in which the graphite is shipped and
those
who make the string that ties the sacks and those who put them aboard
ships
and those who make the ships. Even the lighthouse keepers along the way
assisted in my birth--and the harbor pilots.
The graphite is mixed with clay from Mississippi in which ammonium
hydroxide
is used in the refining process. Then wetting agents are added such as
sulfonated tallow--animal fats chemically reacted with sulfuric acid.
After
passing through numerous machines, the mixture finally appears as endless
extrusions--as from a sausage grinder--cut to size, dried, and baked for
several hours at 1,850 degrees Fahrenheit. To increase their strength and
smoothness the leads are then treated with a hot mixture which includes
candelilla wax from Mexico, paraffin wax, and hydrogenated natural fats.
My cedar receives six coats of lacquer. Do you know all the ingredients
of
lacquer? Who would think that the growers of castor beans and the
refiners
of castor oil are a part of it? They are. Why, even the processes by
which
the lacquer is made a beautiful yellow involves the skills of more
persons
than one can enumerate!
Observe the labeling. That's a film formed by applying heat to carbon
black
mixed with resins. How do you make resins and what, pray, is carbon
black?
My bit of metal--the ferrule--is brass. Think of all the persons who mine
zinc and copper and those who have the skills to make shiny sheet brass
from
these products of nature. Those black rings on my ferrule are black
nickel.
What is black nickel and how is it applied? The complete story of why the
center of my ferrule has no black nickel on it would take pages to
explain.
Then there's my crowning glory, inelegantly referred to in the trade as
"the
plug," the part man uses to erase the errors he makes with me. An
ingredient
called "factice" is what does the erasing. It is a rubber-like product
made
by reacting rape- seed oil from the Dutch East Indies with sulfur
chloride.
Rubber, contrary to the common notion, is only for binding purposes.
Then,
too, there are numerous vulcanizing and accelerating agents. The pumice
comes from Italy; and the pigment which gives "the plug" its color is
cadmium sulfide.
No One Knows
Does anyone wish to challenge my earlier assertion that no single person
on
the face of this earth knows how to make me?
Actually, millions of human beings have had a hand in my creation, no one
of
whom even knows more than a very few of the others. Now, you may say that
I
go too far in relating the picker of a coffee berry in far off Brazil and
food growers elsewhere to my creation; that this is an extreme position.
I
shall stand by my claim. There isn't a single person in all these
millions,
including the president of the pencil company, who contributes more than
a
tiny, infinitesimal bit of know-how. From the standpoint of know-how the
only difference between the miner of graphite in Ceylon and the logger in
Oregon is in the type of know-how. Neither the miner nor the logger can
be
dispensed with, any more than can the chemist at the factory or the
worker
in the oil field--paraffin being a by-product of petroleum.
Here is an astounding fact: Neither the worker in the oil field nor the
chemist nor the digger of graphite or clay nor any who mans or makes the
ships or trains or trucks nor the one who runs the machine that does the
knurling on my bit of metal nor the president of the company performs his
singular task because he wants me. Each one wants me less, perhaps, than
does a child in the first grade. Indeed, there are some among this vast
multitude who never saw a pencil nor would they know how to use one.
Their
motivation is other than me. Perhaps it is something like this: Each of
these millions sees that he can thus exchange his tiny know-how for the
goods and services he needs or wants. I may or may not be among these
items.
No Master Mind
There is a fact still more astounding: The absence of a master mind, of
anyone dictating or forcibly directing these countless actions which
bring
me into being. No trace of such a person can be found. Instead, we find
the
Invisible Hand at work. This is the mystery to which I earlier referred.
It has been said that "'only God can make a tree.'" Why do we agree with
this? Isn't it because we realize that we ourselves could not make one?
Indeed, can we even describe a tree? We cannot, except in superficial
terms.
We can say, for instance, that a certain molecular configuration
manifests
itself as a tree. But what mind is there among men that could even
record,
let alone direct, the constant changes in molecules that transpire in the
life span of a tree? Such a feat is utterly unthinkable!
I, Pencil, am a complex combination of miracles: a tree, zinc, copper,
graphite, and so on. But to these miracles which manifest themselves in
Nature an even more extraordinary miracle has been added: the
configuration
of creative human energies--millions of tiny know-hows configurating
naturally and spontaneously in response to human necessity and desire and
in
the absence of any human master-minding! Since only God can make a tree,
I
insist that only God could make me. Man can no more direct these millions
of
know-hows to bring me into being than he can put molecules together to
create a tree.
The above is what I meant when writing, "If you can become aware of the
miraculousness which I symbolize, you can help save the freedom mankind
is
so unhappily losing." For, if one is aware that these know-hows will
naturally, yes, automatically, arrange themselves into creative and
productive patterns in response to human necessity and demand--that is,
in
the absence of governmental or any other coercive master-minding --- then
one will possess an absolutely essential ingredient for freedom: a faith
in
free people. Freedom is impossible without this faith.
Once government has had a monopoly of a creative activity such, for
instance, as the delivery of the mails, most individuals will believe
that
the mails could not be efficiently delivered by men acting freely. And
here
is the reason: Each one acknowledges that he himself doesn't know how to
do
all the things incident to mail delivery. He also recognizes that no
other
individual could do it. These assumptions are correct. No individual
possesses enough know-how to perform a nation's mail delivery any more
than
any individual possesses enough know-how to make a pencil. Now, in the
absence of faith in free people --- in the unawareness that millions of
tiny
know-hows would naturally and miraculously form and cooperate to satisfy
this necessity --- the individual cannot help but reach the erroneous
conclusion that mail can be delivered only by governmental
"master-minding."
Testimony Galore
If I, Pencil, were the only item that could offer testimony on what men
and
women can accomplish when free to try, then those with little faith would
have a fair case. However, there is testimony galore; it's all about us
and
on every hand. Mail delivery is exceedingly simple when compared, for
instance, to the making of an automobile or a calculating machine or a
grain
combine or a milling machine or to tens of thousands of other things.
Delivery? Why, in this area where men have been left free to try, they
deliver the human voice around the world in less than one second; they
deliver an event visually and in motion to any person's home when it is
happening; they deliver 150 passengers from Seattle to Baltimore in less
than four hours; they deliver gas from Texas to one's range or furnace in
New York at unbelievably low rates and without subsidy; they deliver each
four pounds of oil from the Persian Gulf to our Eastern Seaboard ---
halfway
around the world --- for less money than the government charges for
delivering a one-ounce letter across the street!
The lesson I have to teach is this: Leave all creative energies
uninhibited.
Merely organize society to act in harmony with this lesson. Let society's
legal apparatus remove all obstacles the best it can. Permit these
creative
know-hows freely to flow. Have faith that free men and women will respond
to
the Invisible Hand. This faith will be confirmed. I, Pencil, seemingly
simple though I am, offer the miracle of my creation as testimony that
this
is a practical faith, as practical as the sun, the rain, a cedar tree,
the
good earth.
----------------
Original here: http://209.217.49.168/vnews.php?nid=316
.
|
|
|
|
|
| User: "John Jones" |
|
| Title: Re: Economic Miracle |
01 Dec 2004 04:30:51 PM |
|
|
If writing is your vocation then why don't you get your act together
and write something appropriate to demand? you moron. Your post was
so long-winded I can't even tell you if it was boring.
JJ
*-----------------------*
Posted at:
www.GroupSrv.com
*-----------------------*
.
|
|
|
| User: "Zap" |
|
| Title: Re: Economic Miracle |
01 Dec 2004 06:59:29 PM |
|
|
"John Jones" <jonescardiff@aol-dot-com.no-spam.invalid> wrote in message
news:41ae461b$3_2@Usenet.com...
If writing is your vocation then why don't you get your act together
and write something appropriate to demand? you moron. Your post was
so long-winded I can't even tell you if it was boring.
JJ
I enjoyed it :)
.
|
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|
| User: "Publius" |
|
| Title: Re: Economic Miracle |
01 Dec 2004 05:19:03 PM |
|
|
jonescardiff@aol-dot-com.no-spam.invalid (John Jones) wrote in
news:41ae461b$3_2@Usenet.com:
If writing is your vocation then why don't you get your act together
and write something appropriate to demand? you moron. Your post was
so long-winded I can't even tell you if it was boring.
It was aimed at those with attention spans longer than 10 seconds.
.
|
|
|
|
|
| User: "John Jones" |
|
| Title: Re: Economic Miracle |
03 Dec 2004 02:31:39 PM |
|
|
Oops and oo-er. I boo-booed.
I shall deliver to my botty a hot pink botty smack that it may be
suitably corrected in the preferred authoritative manner.
Publiuswrote:
A classic.
---------
I, Pencil
by Leonard E. Read
I am a lead pencil --- the ordinary wooden pencil familiar to all
boys and
girls and adults who can read and write.
Writing is both my vocation and my avocation; that's all I do.
You may wonder why I should write a genealogy. Well, to begin with,
my story
is interesting. And, next, I am a mystery --- more so than a tree or
a
sunset or even a flash of lightning. But, sadly, I am taken for
granted by
those who use me, as if I were a mere incident and without
background. This
supercilious attitude relegates me to the level of the commonplace.
This is
a species of the grievous error in which mankind cannot too long
persist
without peril. For, the wise G. K. Chesterton observed, `"We are
perishing
for want of wonder, not for want of wonders."
I, Pencil, simple though I appear to be, merit your wonder and awe,
a claim
I shall attempt to prove. In fact, if you can understand me --- no,
that's
too much to ask of anyone --- if you can become aware of the
miraculousness
which I symbolize, you can help save the freedom mankind is so
unhappily
losing. I have a profound lesson to teach. And I can teach this
lesson
better than can an automobile or an airplane or a mechanical
dishwasher
because --- well, because I am seemingly so simple.
Simple? Yet, not a single person on the face of this earth knows how
to make
me. This sounds fantastic, doesn't it? Especially when it is
realized that
there are about one and one-half billion of my kind produced in the
U.S.A.
each year.
Pick me up and look me over. What do you see? Not much meets the eye
---
there's some wood, lacquer, the printed labeling, graphite lead, a
bit of
metal, and an eraser.
Innumerable Antecedents
Just as you cannot trace your family tree back very far, so is it
impossible
for me to name and explain all my antecedents. But I would like to
suggest
enough of them to impress upon you the richness and complexity of
my
background.
My family tree begins with what in fact is a tree, a cedar of
straight grain
that grows in Northern California and Oregon. Now contemplate all
the saws
and trucks and rope and the countless other gear used in harvesting
and
carting the cedar logs to the railroad siding. Think of all the
persons and
the numberless skills that went into their fabrication: the mining
of ore,
the making of steel and its refinement into saws, axes, motors; the
growing
of hemp and bringing it through all the stages to heavy and strong
rope; the
logging camps with their beds and mess halls, the cookery and the
raising of
all the foods. Why, untold thousands of persons had a hand in every
cup of
coffee the loggers drink!
The logs are shipped to a mill in San Leandro, California. Can you
imagine
the individuals who make flat cars and rails and railroad engines
and who
construct and install the communication systems incidental thereto?
These
legions are among my antecedents.
Consider the millwork in San Leandro. The cedar logs are cut into
small,
pencil- length slats less than one-fourth of an inch in thickness.
These are
kiln dried and then tinted for the same reason women put rouge on
their
faces. People prefer that I look pretty, not a pallid white. The
slats are
waxed and kiln dried again. How many skills went into the making of
the tint
and the kilns, into supplying the heat, the light and power, the
belts,
motors, and all the other things a mill requires? Sweepers in the
mill among
my ancestors? Yes, and included are the men who poured the concrete
for the
dam of a Pacific Gas & Electric Company hydroplant which
supplies the mill's
power!
Don't overlook the ancestors present and distant who have a hand in
transporting sixty carloads of slats across the nation.
Once in the pencil factory--$4,000,000 in machinery and building,
all
capital accumulated by thrifty and saving parents of mine--each slat
is
given eight grooves by a complex machine, after which another
machine lays
leads in every other slat, applies glue, and places another slat
atop--a
lead sandwich, so to speak. Seven brothers and I are mechanically
carved
from this "wood- clinched'" sandwich.
My "lead'" itself--it contains no lead at all--is complex. The
graphite is
mined in Ceylon. Consider these miners and those who make their many
tools
and the makers of the paper sacks in which the graphite is shipped
and those
who make the string that ties the sacks and those who put them
aboard ships
and those who make the ships. Even the lighthouse keepers along the
way
assisted in my birth--and the harbor pilots.
The graphite is mixed with clay from Mississippi in which ammonium
hydroxide
is used in the refining process. Then wetting agents are added such
as
sulfonated tallow--animal fats chemically reacted with sulfuric
acid. After
passing through numerous machines, the mixture finally appears as
endless
extrusions--as from a sausage grinder--cut to size, dried, and baked
for
several hours at 1,850 degrees Fahrenheit. To increase their
strength and
smoothness the leads are then treated with a hot mixture which
includes
candelilla wax from Mexico, paraffin wax, and hydrogenated natural
fats.
My cedar receives six coats of lacquer. Do you know all the
ingredients of
lacquer? Who would think that the growers of castor beans and the
refiners
of castor oil are a part of it? They are. Why, even the processes by
which
the lacquer is made a beautiful yellow involves the skills of more
persons
than one can enumerate!
Observe the labeling. That's a film formed by applying heat to
carbon black
mixed with resins. How do you make resins and what, pray, is carbon
black?
My bit of metal--the ferrule--is brass. Think of all the persons who
mine
zinc and copper and those who have the skills to make shiny sheet
brass from
these products of nature. Those black rings on my ferrule are black
nickel.
What is black nickel and how is it applied? The complete story of
why the
center of my ferrule has no black nickel on it would take pages to
explain.
Then there's my crowning glory, inelegantly referred to in the trade
as "the
plug," the part man uses to erase the errors he makes with me. An
ingredient
called "factice" is what does the erasing. It is a rubber-like
product made
by reacting rape- seed oil from the Dutch East Indies with sulfur
chloride.
Rubber, contrary to the common notion, is only for binding purposes.
Then,
too, there are numerous vulcanizing and accelerating agents. The
pumice
comes from Italy; and the pigment which gives "the plug" its color
is
cadmium sulfide.
No One Knows
Does anyone wish to challenge my earlier assertion that no single
person on
the face of this earth knows how to make me?
Actually, millions of human beings have had a hand in my creation,
no one of
whom even knows more than a very few of the others. Now, you may say
that I
go too far in relating the picker of a coffee berry in far off
Brazil and
food growers elsewhere to my creation; that this is an extreme
position. I
shall stand by my claim. There isn't a single person in all these
millions,
including the president of the pencil company, who contributes more
than a
tiny, infinitesimal bit of know-how. From the standpoint of know-how
the
only difference between the miner of graphite in Ceylon and the
logger in
Oregon is in the type of know-how. Neither the miner nor the logger
can be
dispensed with, any more than can the chemist at the factory or the
worker
in the oil field--paraffin being a by-product of petroleum.
Here is an astounding fact: Neither the worker in the oil field nor
the
chemist nor the digger of graphite or clay nor any who mans or makes
the
ships or trains or trucks nor the one who runs the machine that does
the
knurling on my bit of metal nor the president of the company
performs his
singular task because he wants me. Each one wants me less, perhaps,
than
does a child in the first grade. Indeed, there are some among this
vast
multitude who never saw a pencil nor would they know how to use one.
Their
motivation is other than me. Perhaps it is something like this: Each
of
these millions sees that he can thus exchange his tiny know-how for
the
goods and services he needs or wants. I may or may not be among
these items.
No Master Mind
There is a fact still more astounding: The absence of a master mind,
of
anyone dictating or forcibly directing these countless actions which
bring
me into being. No trace of such a person can be found. Instead, we
find the
Invisible Hand at work. This is the mystery to which I earlier
referred.
It has been said that "'only God can make a tree.'" Why do we agree
with
this? Isn't it because we realize that we ourselves could not make
one?
Indeed, can we even describe a tree? We cannot, except in
superficial terms.
We can say, for instance, that a certain molecular configuration
manifests
itself as a tree. But what mind is there among men that could even
record,
let alone direct, the constant changes in molecules that transpire
in the
life span of a tree? Such a feat is utterly unthinkable!
I, Pencil, am a complex combination of miracles: a tree, zinc,
copper,
graphite, and so on. But to these miracles which manifest themselves
in
Nature an even more extraordinary miracle has been added: the
configuration
of creative human energies--millions of tiny know-hows
configurating
naturally and spontaneously in response to human necessity and
desire and in
the absence of any human master-minding! Since only God can make a
tree, I
insist that only God could make me. Man can no more direct these
millions of
know-hows to bring me into being than he can put molecules together
to
create a tree.
The above is what I meant when writing, "If you can become aware of
the
miraculousness which I symbolize, you can help save the freedom
mankind is
so unhappily losing." For, if one is aware that these know-hows
will
naturally, yes, automatically, arrange themselves into creative and
productive patterns in response to human necessity and demand--that
is, in
the absence of governmental or any other coercive master-minding ---
then
one will possess an absolutely essential ingredient for freedom: a
faith in
free people. Freedom is impossible without this faith.
Once government has had a monopoly of a creative activity such, for
instance, as the delivery of the mails, most individuals will
believe that
the mails could not be efficiently delivered by men acting freely.
And here
is the reason: Each one acknowledges that he himself doesn't know
how to do
all the things incident to mail delivery. He also recognizes that no
other
individual could do it. These assumptions are correct. No
individual
possesses enough know-how to perform a nation's mail delivery any
more than
any individual possesses enough know-how to make a pencil. Now, in
the
absence of faith in free people --- in the unawareness that millions
of tiny
know-hows would naturally and miraculously form and cooperate to
satisfy
this necessity --- the individual cannot help but reach the
erroneous
conclusion that mail can be delivered only by governmental
"master-minding."
Testimony Galore
If I, Pencil, were the only item that could offer testimony on what
men and
women can accomplish when free to try, then those with little faith
would
have a fair case. However, there is testimony galore; it's all about
us and
on every hand. Mail delivery is exceedingly simple when compared,
for
instance, to the making of an automobile or a calculating machine or
a grain
combine or a milling machine or to tens of thousands of other
things.
Delivery? Why, in this area where men have been left free to try,
they
deliver the human voice around the world in less than one second;
they
deliver an event visually and in motion to any person's home when it
is
happening; they deliver 150 passengers from Seattle to Baltimore in
less
than four hours; they deliver gas from Texas to one's range or
furnace in
New York at unbelievably low rates and without subsidy; they deliver
each
four pounds of oil from the Persian Gulf to our Eastern Seaboard ---
halfway
around the world --- for less money than the government charges for
delivering a one-ounce letter across the street!
The lesson I have to teach is this: Leave all creative energies
uninhibited.
Merely organize society to act in harmony with this lesson. Let
society's
legal apparatus remove all obstacles the best it can. Permit these
creative
know-hows freely to flow. Have faith that free men and women will
respond to
the Invisible Hand. This faith will be confirmed. I, Pencil,
seemingly
simple though I am, offer the miracle of my creation as testimony
that this
is a practical faith, as practical as the sun, the rain, a cedar
tree, the
good earth.
----------------
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