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By Dr. William Pierce
http://www.natvan.com
"The Jews were very influential in Germany after the First World
War. They were strongly entrenched in the legal profession, in
banking,
in advertising and merchandising, in show business, in organized vice,
in publishing and other media. They were trying hard to change the
spirit of Germany. They were pushing modernism in art, music, and
literature. They were pushing for "diversity" and "tolerance." They
were
ridiculing German tradition and culture and morality and the German
sense of personal honor, trying hard to make young Germans believe
that
it was "cool" to be rootless and cosmopolitan. They were promoting the
same culture of lies that they have been promoting here.
That was the so-called "Weimar" period, because right after the First
World War some important government business, including the
ratification
of a new German constitution, took place in the city of Weimar. The
Jews
loved the Weimar period, but it was, in fact, the most degenerate
period
in Germany's history. The Jews, of course, didn't think of it as
degenerate. They thought of it as "modern" and "progressive" and
"cool."
Really, it was a very Jewish period, where lying was considered a
virtue. The Jews were riding high. Many books have been written by
Jews
in America about Weimar Germany, all praising it to the skies and
looking back on it with nostalgia. Even without the so-called
"Holocaust," they never have forgiven the Nazis for bringing an end to
the Weimar period.
There was a Hollywood film made 30 years ago, in 1972, about Weimar
Germany. The film was called Cabaret, and it starred Liza Minelli. It
depicted Berlin night life, with all its degeneracy, including the
flourishing of homosexuality, and also depicted the fight between the
communists and the Jews and the other proponents of modernism on the
one
hand and the Nazis on the other hand. The Hollywood filmmakers, of
course, were solidly on the side of the degenerates and portrayed the
Nazis as the bad guys, but this film is another example of the Jews
outsmarting themselves. The Jews who made the film saw everything from
their viewpoint, through their own eyes, and the degenerate Gentiles
under their spell also saw things from the Jewish viewpoint, but the
Jews apparently didn't stop to think -- or didn't care -- that a
normal,
healthy White person would view things differently. Check it out for
yourself. Cabaret is still available in video stores.
The point I am making is this: In the 1920s, after the First World
War,
the Jews were trying to do to Germany what they began doing to America
after the Second World War, in the 1960s. Many Germans, the healthiest
elements in Germany, resisted the Jews' efforts, just as many
Americans
have resisted the Jews' efforts in America. In Germany the Jews were a
bit premature. Although they had much of the media under their
control,
they didn't control all of the media. They tried to move too fast. The
healthiest Germans resisted and beat them.
In America, in the 1960s, the Jews had almost total media control
before
they began their big push, and they proceeded more carefully. In
America
they are winning. The culture of lies has prevailed in America. It's
still possible for Americans to win, but it's going to be a lot
tougher
this time. We'd better get started. The first step is to regain at
least
partial control of our media, so that we can begin contradicting the
lies. This American Dissident Voices broadcast is a part of that first
step."
www.spearhead-uk.com http://www.natvan.com
http://www.altermedia.info/ www.nsm88.com
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